Oil on canvas
48 × 36 in.
2025
$6500
oil on canvas
22 × 14 in.
2025
NFS, commission
Oil on canvas
73 x 30 in.
2024
$7900
oil on wood panel
10 × 8 in.
2024
$250
Oil on canvas
24 × 30 in.
2023
NFS, commission
Currently on view at Sup. Mandelman’s Office, City Hall Rm. 168 through April 30, 2025
Oil on canvas
17 × 17 in.
2023
$800
Photo transfer and oil on canvas
12 x 18 in.
2022
$650
Oil on canvas
22 x 28 in.
2018 (refinished in 2024)
$3200
Oil on canvas
40 x 30 in.
2019
$4000
Oil on wood
24 x 36 in.
2019 (refinished in 2024)
$3600
Oil on canvas
12 x 12 in.
2024
$475
Oil on canvas
30 x 24 in.
2023
NFS
Oil on canvas
24 x 30 in.
2023
NFS
Oil on wood
20 x 20 in.
2022
$1000
Oil on canvas
11 x 14 in.
2022
NFS
Oil on canvas
10 × 14 in
2022
SOLD
Oil on canvas
18 x 24 in.
2022
NFS, commission
Oil on sewn canvas
15 x 17 in.
2021
$500
Oil on canvas
23 x 19 in.
2020
$900
SOLD
Oil on canvas
20 x 24 in.
Text in mountains: “This was our land violently purloined through genocidal tactics”
From Mystic Mountain series
NFS, commission
30 x 40 in.
oil on canvas (framed)
2018
$4200
Oil on canvas
13.5 x 17.25 in. (framed)
2018
$800
oil on canvas
20 x 24 in.
2020
$1000
oil on canvas
20 x 24 in.
2020
NFS
Oil on canvas
12 x 24 in.
2018
$800
Watercolor collage and oil on canvas
18 × 24 in.
2018
SOLD
Watercolor collage on mat board and paper
20 x 8.5 in.
2023
$250
Currently on view at Sup. Mandelman’s Office, City Hall Rm. 168 through April 30, 2025
Watercolor collage on bristol
10.5 x 13.5 in.
2023
SOLD
Watercolor collage on mat and paper
12.5 x 10.5 in.
2023
$125
Watercolor and ink on paper, wood panel
12 x 9 in.
2023
NFS
Watercolor collage on bristol, wood panel
12 x 9 in.
2023
$125
Watercolor collage on mat and paper
12.5 x 10.5 in.
2023
SOLD
Watercolor collage on bristol
13.5 x 10.5 in.
SOLD
Watercolor collage on bristol, wood panel
9 x 12 in.
2023
$125
Watercolor on Arches paper
10 x 12 in.
2023
SOLD
watercolor on paper
6 x 8 in.
2022
Watercolor on paper, mounted on wood
8 x 8 in.
2021
SOLD
10 x 10 in.
watercolor and gouache on Arches paper
2021
Commission
10 x 10 in.
watercolor and gouache on Arches paper
2021
Commission
11 x 15 in.
watercolor on paper
2020
$225
11 x 15 in.
watercolor on paper
2019
$225
11 x 13.373 in.
watercolor and archival ink on paper (framed)
2019
$200
15 x 11 in.
watercolor and archival ink on paper
2019
NFS
11 x 15 in.
watercolor on paper
2017
$200
11 x 15 in.
watercolor on paper
2017
$200
11 x 15 in.
watercolor
2017
$200
Joey is my fiancee and paints precise, geometric pre-made terra cotta pots with acrylic paint and lots of love. They are 100% sealed and waterproof!
Have a style and color scheme in mind? Send us a message!
6” pots start at $35 for simple designs.
Woven collage on panel
12 × 9 in.
2023
$300
14 x 17 in.
photo collage on paper
2018
$150
9 x 6.5 in
photo collage
2017
SOLD
Ink, charcoal, vintage maps and collage on paper
9 × 11 × 8 in.
2024
SOLD
4.5 x 6 in.
Watercolor, marker, ink, acrylic, sequins collage on paper
Snail mail collaboration with Anna Runnalls
2020
NFS
16 x 5 in.
string, fiber, ribbon, tulle, and thread
2020
$150
Multimedia installation in Root Division’s Frank Ratchye Project Space, curated by Alicia McDaniel. Click IN THE WEEDS for more information.
10 x 10 x 6 in. each
India ink, palette paper, china marker, vintage map
2019
SOLD
10 x 12 in.
mixed media weaving
2019
NFS
10 x 12 in.
mixed media weaving
2019
NFS
Dimensions variable
found yarn, threaded throughout roof of public space
2015
NFS
Dimensions variable, site specific
Pages from various Nietzsche books, fabric, red cellophane, wood
2015
NFS
Dimensions variable, site specific
Men’s jeans, red thread
2015
NFS
Dimensions variable
scrap canvas, watercolor paper, ink, glass, wood, ceramic, yarn, watercolor on paper, photo and paper collage
2015
NFS
This collection of work is a collaborative project between Zoe Ani and Nick Maltagliati. Through conversation between their distinct abstract language, Ani & Maltagliati composed 10 landscapes utilizing movement and color to bring to light the human connection to land and the various stages and obstacles to get food to our tables. The work is a bright illustration of where our food comes from, the exploration of the landscapes traversed and the various dynamics that affect the crops and thus affect us all. They hope to cast light on those doing the work in all conditions to harvest our food. All panels were handmade and painted with watercolor and gouache.
A portion of the proceeds go towards the efforts of Direct Action For Farmworkers. (@directactionforfarmworkers). Ani and Maltagliati want to bring attention to this issue as the impact of wildfires is a yearly recurrence. In addition, the pandemic is ongoing and the struggle is as real as the food on our table. They are honored to be in a position to provide mutual aid with proceeds from Hard Work & Soft Fruit.
Watercolor and gouache on wood
36 x 36 x 2 in.
2021
$1800
By Zoe Ani & Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor and gouache on wood
36 x 36 x 2 in.
2021
$1800
By Zoe Ani & Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor & gouache on wood
36 x 36 x 2 in.
2021
$1800
By Zoe Ani and Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor & gouache on wood
48 × 48 x 2 in.
2021
$2800
By Zoe Ani and Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor & Gouache On Wood
48 x 48 x 2 in.
2021
$2800
By Zoe Ani and Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor and gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor & gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor & gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor & gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati
Available on Zoe’s website. Click here to purchase.
Watercolor and gouache on wood
24 x 24 in.
2021
NFS
By Zoe Ani and Nick Maltagliati
Photograph matted & framed, 1/1 print
28.25 × 22.5 in.
2019
$300
Prints available upon request
Prints available upon request
Prints available upon request
Prints available upon request
Prints available upon request
Prints available upon request
Prints available upon request
Prints available upon request
Prints available upon request
Ink on paper
12 x 9 in.
2020
$50
Ink on paper
12 x 9 in.
2020
$50
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
8.5 x 5.5 in.
2019
Archival ink on paper
3 x 5 in.
2018
(this piece is paired with its larger counterpart found in oil paintings)
Color pencil and archival ink on paper
9 x 12 in.
2018
This is an interior mural adjacent to a bocce ball court in the Galileo Club, Richmond, CA. Started May 2020, completed October 2020. This project is dedicated to my hometown and my Italian heritage. Details I included: Red Oak Victory and Rosie The Riveter representing the shipyard complex built by Kaiser. Her goggles are hanging up to signify completion and prospective world peace. The hills and Mt. Tamalpais of Marin make up the background. I was in constant awe this mountain range growing up and the sunsets that would hug its western side. I was able to hike to the peak of the mountain with my troop and be able to take in the beautiful region of the Bay. I inserted the Italian peninsula for cohesion of the piece. Pt. Richmond is at the receiving end of the Richmond-San Rafael Bridge, with its own tunnel, overgrown plants and its small village energy. Inherently, I had to add California poppies and my favorite flower hydrangeas which were prominent at a lakeside village, Stresa, Italy, I visited with my parents in 2012. The buildings are just a selection from the historic Pt. Richmond square including “The Plunge” or Natatorium, Up and Under Pub, and Hotel Mac. And in between is the infamous wigwag for the railroad crossing, now out of commission. A turkey representing the Turkey Shoot that occurs every Thanksgiving in Pt. Richmond where the town meets at the Plunge, walks through town, and reads a poem that grows a stanza a year. They finish with a shot of Wild Turkey 101. A depiction of a bocce ball tournament that the Galileo Club has organized more frequently within the past decade post court renovations. The Richmond Country Club where my parents had their wedding reception as the background with the Bay’s infamous fog laying above. I added a false attic to the clubhouse to house Galileo and his observatory. He is ringing the “casino” bell notifying that the bocce players scored max points in a round. I included a silhouetted dancing couple gracefully sliding to post-war tunes in the ballroom. The greenhouses below show lesser known history of Richmond and the reason my father moved to California: roses. There were several Japanese families, in this case the Ninomiya’s. The family owned and operated a rose growing business but not without the struggle of racial issues and being forced into internment camps. On the street is a local donut shop mascot of Andy’s Donuts. He is driving toward lettuce fields that were a prominent crop that Italian immigrants first planted when they moved to California. Next to the clubhouse there’s the Galileo Club Way street sign that the club was able to acquire from the city for a small stretch of So. 23rd St. And on top of the sign is an Italian Sparrow, their national bird. An iconic, mid century sign for a drive-in milk store found on 23rd St. To couple with the Italian sparrow I included a California quail nestled on a redwood tree and the sign’s stylized arrow. Adjacent to the sign is an interpretation of a Roman fountain being lit from below. Other landmarks include the leaning tower of Pisa, a Venetian gondola, and Monte Bianco (Italy’s highest peak that borders France). I incorporated an olive tree grove, draping ivy vines found in Rome, and a vineyard drenched in the moonlight. A pizza is being slid out of a wood fired oven inspired by my former job at Fiorella. And lastly a villa tucked away in the hills reminiscent of Tuscany.
Interior latex paint and acrylic
7.5 x 56 ft.
In collaboration with former studio community members at Root Division, this small collection was created during the uncertainty of the pandemic. The art journal was shipped to artists and was filled with their own thoughts and inspirations while capturing the quotidian paces of a world under COVID-19. A virtual exhibition for Pandemic Art Journal will be up for view very soon. My statement about the following pieces: For this project, I wanted to focus on the introspection I experienced during this time of uncertainty. My heavy line use is an abstract language I invented as a way to dispel negative internal thoughts, and I have concluded that this process has become my own form of therapy. I rely on biomorphic entities to quell my quiet struggle, hoping the plant-like and landscape-inspired compositions relieve me from spiraling into heavy thought.
ball point ink on paper
2020
acrylic on paper
2020
ball point ink on paper
2020
acrylic on tape and ball point ink on paper
2020
In the Weeds is an environment that seeks to illustrate a surrealistic, vague assertion of Maltagliati’s ambivalent feelings towards serving in a restaurant. The title of the show is referential to the expression of the same name where a server is overwhelmed with the chaos and extraneous amount of demands. This show in as an immersive experience that allows Maltagliati to reflect upon the service industry’s internal drama and microaggressions. The artist was influenced by 1960’s Arte Povera and a boundary-pushing energy as he incorporated media he never handled in his practice. Many of the works come with stories adhered to them like how a coworker decided to quit while picking parsley or how employees will break at least one glass vessel during a shift.
Dimensions variable
Toilet seat covers, tissue paper, glitter, ink on hand-cut paper
2019
$800
Dimensions variable
ribbon, thread, glitter and beads on hand-cut paper, twist ties, velvet
2019
$800
Dimensions variable
Handmade server books from recycled menus (courtesy of coworker), personal order taking notes, baker's twine, checkout reports on receipt paper, cardboard, commercial plastic wrap labels, pins, copper staples
2019
$1250
4 x 5 x 4 in.
Wood stretchers and commercials plastic wrap
2019
NFS
Dimensions variable
Plastic casting of the artists' legs, found food stickers, thread, stones, ink, glitter on apron
2019
$200
58 x 115 in.
Packaging paper, delivery service stickers, to-go container foil tops
2019
$500
48 x 48 x 6 in.
Stained wood stretchers, glitter, commercial plastic wrap, sequins, baker's twine
2019
$400
32 x 10 in.
Collected phrases and quotes from meetings and coworkers, receipt roll tubes, ink on paper
2019
$150
28 x 9 in.
Commercial plastic wrap and labels, baker's twine, graphite, latex paint, cardboard
2019
NFS
18 x 3 in.
Sharpie and ink on kitchen receipt paper, baker's twine
2015
NFS
44 x 9.5 in.
Ballpoint ink on two-ply carbon receipt paper, baker's twine
2015
$250
22 x 22 in.
Commercial plastic wrap, pins
2019
$350
9:42 mins
Broken and chipped glassware, menus with notes
Click to watch (vimeo)
1:24 mins
Spliced footage from first restaurant job
Click to watch (vimeo)
30 x 40 x 4 in.
Ceramic tile, grout, corks, and gold foil on wood
2019
$700
6.5 x 2.5 in. each
Expanding concrete in glass "quartino", A-Frame sign letters, broken glass
2019
$200
15 x 10 in.
Sign from patio section decoupaged on frame, strips of polishing cloths and apron
2019
$175
28.5 x 14.5 x 14.5 in.
sequins hand-placed on found safety cone
2019
$3000
2012
9 x 12 in.
ball point ink on paper
2014
8.5 x 11 x 1 in.
Archival ink on paper
2013
9 x 12 in
archival ink on paper
2013
9 x 12 in.
ink on paper
2013
9 x 12 in.
ink on paper
2013
9 x 12 in.
ink on paper
2013
9 x 12 in.
ink on paper
2013
9 x 12 in.
ink on paper
2012
9 x 12 in.
ink on paper
18 x 24 in.
oil and paper on canvas
2015
NFS
18 x 24 in
oil on canvas
2015
NFS
24 x 36 in.
oil on canvas
2015
NFS
24 x 36 ft.
oil on canvas
2015
Commissioned by Alioto Family
NFS
